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Images from The Beede Gallery

Long-necked Lute (Mandar Bahar), by H. Muntz, Bengal, India, 20th century

NMM 2405.  Long-necked lute (mandar bahar), by H. Muntz, Bengal, India, 20th century Side view 1 Side view 2 Back view

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NMM 2405. Long-necked lute (mandar bahar) by H. Muntz, Bengal, India, 20th century. Essentially a bass esraj, but played in a standing position, similar to the Western double-bass. Used in modern Indian orchestras. Wood body with a parchment belly, seventeen movable frets, four principal strings (one for melody and three for drone), and fifteen brass sympathetic strings. Board of Trustees, 1978.


Views of Peghead

Pegbox, front view Side view 1 Back view


Views of Neck, Fretboard, and Pegs

Front view of neck
Side view of neck
Back view of neck
Peg, view 1

Peg, view 2


Views of Resonator

Back view of resonator Side view of resonator Lower end of resonator


Close-up Views of Bridge and Hitchpins

Bridge Tailpiece and hitchpins


Bow

Bridge

Tip of bow Frog


Literature:  Thomas E. Cross, Instruments of Burma, India, Nepal, Thailand and Tibet, The Shrine to Music Museum Catalog of the Collections, Vol. II, André P. Larson, editor (Vermillion: The Shrine to Music Museum, 1982), p. 13.

Thomas E. Cross, Instruments of Burma, India, Nepal, Thailand and Tibet, M.M. Thesis, University of South Dakota, May 1983, p. 26, plate X.

André P. Larson, The National Music Museum:  A Pictorial Souvenir (Vermillion: National Music Museum, 1988), p. 29.

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Most recent update:   December 6, 2013

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