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The central decoration on the bell of this dbang dung is the repousée image of the head of a sea dragon (makara), including its two barbels (thin appendages employed as sensory organs) that extend outward from the nose, away from the surface of the instrument. An interlocking foliage motif blends into the dragon's scales; flames adorn the edge of bell; and, the "precious jewel" (a symbol of royal power) is mounted by two copper pins below the dragon's mouth, between the barbels. |
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Literature: Thomas E. Cross, Instruments of Burma, India, Nepal, Thailand and Tibet, The Shrine to Music Museum Catalog of the Collections, Vol. II, André P. Larson, editor (Vermillion: The Shrine to Music Museum, 1982), p. 26.
Thomas E. Cross, Instruments of Burma, India, Nepal, Thailand and Tibet, M.M. Thesis, University of South Dakota, May 1983, p. 68, plate XXIV.